Dynamic Modulated Delay
Set the routing and mode of modulation (Chorus/Flanger) through the purple control in the middle.
Click on the small red circle inside of the modulation (left) or delay (right) controls, to automate them by volume input (pink),
or click again, to automate them by the LFO (yellow).
Set different harmonies for the left and right channels. Use Delay and Feedback, along with LFO and Frequency, to set the length and character of the delays.
Adjust Divide, Reflect, and Shudder, to set the Reverb. Use Distort for hard clipping, and Crush to reduce the bit rate. Ajust Magnify for volume and tonal variation.
Use Sync to time the delay repeats to the BPM of the DAW. Adjust LFO and Frequency to set the width and movement of the filters applied to the repeats.
A dark, distorted, and irredeemably corrupted sample library. Ideal for horror themed ambiances and gothic industrial soundtracks.
Use a high number of echoes, with a short delay between them, and boost the Feedback, to create Reverb from the multiple echoes.
A new utility tool for mapping one format of MIDI to another. Used for converting drum MIDI created in one format to another but also as a creative tool.
Sounds nothing like the 7 string guitar it was sampled from. Click on the outer spheres to select the FX chains, and on R or F to choose the rear or front pickups.
Each ambient preset has been sampled from both the rear and front EMG pickups of a Schecter seven string guitar, giving a total of 18 sound options.
Drag above or below the baby aliens to set the sequencer steps. Click on the mummy alien to set the speed, FX mode, and parameters, through the eyeball controls.
Guillotine chops up segments of audio in sync with the BPM of the track. Up to 32 divisions can then be modulated, bitcrushed, distorted, or simply silenced.
